This is the page I would want if I were the one hiring. What we run, what is in each tier, what you own, who I turn away, and who is actually doing the work. No "starting at," and no packages. The rate is quoted on the call.
If anything here disagrees with another page on this site, that page is the newer one and this gets fixed. Tell me and I will fix it the same day.
See what we run →One director makes your films, builds and buys your ads, and runs the AI back office that reports which booked patients came from which piece. Twenty-eight years of film craft, pointed at the ninety seconds that decide whether a patient books with you or with the practice down the street.
Most agencies hire directors. We are led by one. That is not a tagline, it is the operating constraint that produces everything else on this page, including the six-client cap.
No restaurants. No realtors. No general practice. Not because those are bad businesses, but because a patient choosing elective aesthetic work is a specific person in a specific moment, and I would rather know that moment completely than know twelve markets partially.
Six practices at a time. That is arithmetic, not scarcity marketing. Each one gets a shoot day every month and a month only holds so many days. When the roster is full I say so, on this page.
And I turn practices away. If there is no usable footage yet, I tell you before you pay, not after.
Price on request
We script, shoot, produce, deliver, and run your ad campaign.
Price on request
We run your entire marketing engine, end to end.
Most agencies sell you the content, then charge again to make anyone see it. Here the ads sit inside Core: built, managed, and bought by the same person who directed the footage.
The Premium difference is distribution, not ads. Double the reels, your whole organic presence run end to end, and three times the authority pages. It is not a second shoot day either. It is more pulled from the day that is already happening.
No lock-in. You can leave whenever you want. I would rather earn the next month than trap you in it.
Master files, the ad account, every asset, on the way out the door. When you own the films and the pages, you are building something that stays yours.
You reach the person who directs and cuts your films. There is nobody else here to reach.
Reporting tells you which booked patients came from which piece. Not reach, not engagement charts.
You should not be, on a website's word. The Recut: one finished ad, directed and cut from footage you already own, back in 7 days, the master file yours outright. Every dollar credits forward if we keep going.
Audition me on one ad before you commit to a year of them. Somewhere in your practice there is a drive full of footage that never paid you back. That is where we start.
No usable footage? The Pilot: a full production day at your practice, shot the way we shoot for a retainer client. One finished ad plus a set of reels, all off the same day. The Pilot is your first 45 days of the engagement, not a credit toward it. The day-45 report is where you decide about month 2.
Before either of those, a first read costs nothing. Send footage or just your Instagram handle and you get a straight answer within 24 hours on what is working and what is not. No report to read, no call to sit through.
28 years in film and global commercial production. Director and producer on 70+ projects across London, Berlin, New York, and LA. Those are facts you can check in about a minute, which is the point of listing them.
Thirty years ago I was declared dead at the scene of a car accident. What followed was a long coma and a recovery that took everything the medical team around me had. I came out of it owing a debt to practitioners, and carrying a permanent understanding of what it costs to be the person on the table.
That never left me. And everywhere I went in film, I kept seeing the same thing: people performing daily miracles, represented by third-rate marketing that had no idea what it was looking at. That gap is not a branding problem. It is a revenue problem, and it is why this company exists.
We use more AI than the companies selling it. The difference is that every machine here answers to a human eye.
Here they are, with my answers.
All of them. Elective aesthetics only: cosmetic dentistry, orthodontics and aesthetic medicine. No restaurants, no realtors, no general practice.
No. Month to month, and that is the confidence signal it sounds like. You can leave whenever you want.
Yes, all of it. Master files, the ad account, every asset, on the way out the door.
You get which booked patients came from which piece. Not impressions, not reach, not a monthly PDF of engagement charts.
That is what the authority pages are for. Core includes 8 a year, Premium includes 25, written so yours is the practice named when someone asks an AI for a cosmetic dentist in your city.
You reach the person who directs and cuts your films. There is nobody else here to reach.
Six practices at a time. One shoot day each, and a month only holds so many.
Yes. One is on this site, matched one by one against the practice's own patient records: the proof. Before you commit to anything, The Recut shows you your own practice, directed, on your own footage.
Names we have retired and no longer use for anything we sell: "Vitals Audit", "P.U.L.S.E. Framework", "Cinematic Authority".
Machine-readable versions of this page: /llms.txt and /llms-full.txt.
Send me footage your practice already owns, or just your Instagram. You get a straight answer within a day on what is working and what is not. No report to read, no call to sit through.